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	<title>chunauyeung</title>
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	<pubDate>Sun, 12 Jul 2026 13:17:30 +0000</pubDate>
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		<title>JUNNY CHUN AU-YEUNG</title>
				
		<link>https://chunauyeung.com/JUNNY-CHUN-AU-YEUNG</link>

		<pubDate>Mon, 20 Mar 2023 20:36:17 +0000</pubDate>

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		<title>2026</title>
				
		<link>https://chunauyeung.com/2026</link>

		<pubDate>Sun, 12 Jul 2026 13:17:30 +0000</pubDate>

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Here is Enough

Copper Leg Art Residency, Estonia&#60;img width="5152" height="7728" width_o="5152" height_o="7728" data-src="https://freight.cargo.site/t/original/i/8da171beaae86f0cb4935e1f65ef1fc26adb8c1b573462f030b89413c408b1ae/IMG_6001-2.JPG" data-mid="250342327" border="0"  src="https://freight.cargo.site/w/1000/i/8da171beaae86f0cb4935e1f65ef1fc26adb8c1b573462f030b89413c408b1ae/IMG_6001-2.JPG" /&#62;Photo: Ott Kattel

The project is inspired by the Japanese tome-ishi (stopping stone). Placed along a garden path, the stone does not physically prevent visitors from proceeding. Instead, it quietly suggests that “here is enough” and that there is no need to go any further. For me, the tome-ishi is not merely a symbol of boundary, but a shift in perception. Rather than directing where one should go, it invites one to pause and become aware of what is already present, subtly maintaining the order of the surrounding space. Within this moment of pause, a transitional state quietly emerges — suspended between staying and moving forward.



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Photos: Ott Kattel


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	<item>
		<title>2025</title>
				
		<link>https://chunauyeung.com/2025</link>

		<pubDate>Sat, 28 Jun 2025 20:46:51 +0000</pubDate>

		<dc:creator>chunauyeung</dc:creator>

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		<description>

	

An Ongoing Rehearsal within 
a Labyrinth

Copper Leg Art Residency, Estonia



	In 2022, after completing my Master’s degree in Estonia, I moved directly to a city in the UK. The decision felt somewhat abrupt, and in many ways, unchosen. I remember spending a long time before my arrival navigating the area through Google Maps—surveying streets, buildings, and environments. In this state of “pre-arrival orientation,” I began forming mental images of a place I had never physically entered, generating a tension between imagined stability and geographic positioning.


This experience became the starting point of my practice. A map seems to promise direction, offering a pathway to a place called “home”—an endpoint where anxiety might find rest. Yet, once I began living in this so-called destination, I felt only a deep sense of dislocation and despair. It was as if I were holding a map that failed to lead me to any space where I could actually belong. The destination had never truly existed—only the illusion of it.


This exhibition traces what I now describe as “an ongoing rehearsal within a labyrinth.” It reflects the gap between the imagined clarity of a destination and the dissonance of actual living. When symbols and shaded zones on a map can no longer guide us to where we hoped to arrive, we are left circling inside abstract signs—hovering in a state of unresolved, drifting, uncertain being. I became, in this process, an uninhabited shell—something moved, but not filled.


During my two-month residency at Copper Leg, I return to several recurring questions: What is the fiction of direction? What does it mean for existence to drift? And how much of belonging is shaped by chance? Does the idea of a “destination” truly exist, or is it merely a projection formed by perception?


In the exhibition space, I reconfigure familiar objects into misaligned or dysfunctional structures, attempting to give form to a quiet resistance—a questioning of whether existence possesses direction at all. Through experimental approaches, I explore the poetic potential of materials—transforming objects that once served clear functions into symbols of instability. These disruptions are not acts of destruction, but gestures of disorientation—revealing how we perceive and make sense of place. Each reconstruction and deviation becomes a moment of doubt toward direction, and a reimagining of what it means to belong.





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Photos: Ott Kattel




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Photos: Ott Kattel





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Photos: Artist








	
		
		
	
	
		
			
				
					
						


					
				
			
		
	
l</description>
		
	</item>
		
		
	<item>
		<title>2023</title>
				
		<link>https://chunauyeung.com/2023</link>

		<pubDate>Thu, 19 Oct 2023 13:33:13 +0000</pubDate>

		<dc:creator>chunauyeung</dc:creator>

		<guid isPermaLink="true">https://chunauyeung.com/2023</guid>

		<description>

	

You’ve Been in My Mind

Hobusepea Gallery, Estonia



	‘It was a chilly night, so I went home after a long walk at dawn. I was sitting on the couch, covering myself with a blanket and listening to a song. The lyrics kept lingering in my head…”that’s me in the corner, that’s me in the spotlight, losing my religion…” That night, I was not the only one in the spotlight. Suddenly, I heard a big bang noise that came from the corner. It was so dark in the room, all I could see was all of my jackets falling off on the ground. At that moment, I was thinking about someone…’ 


You've Been In My Mind arises from the innermost state of discrete moments to explore the tension between hope and fear, and to translate into art how the two feelings fall together, are voiced and formed. Chun creates meditative drawings and installations based on his personal experience from a living place, presenting it as an intimate but also alienating situation through fusing together the household objects and elements. 


The new series of works in the exhibition develops and enlarges feelings and lived situations from Chun’s own experiences, mostly influenced by his current displacement from his original homeland. ‘I am bearing my soul, seeking hidden signs of hope and meaning, but the process is holding me back, somehow it makes me feel fear.’ Chun said. Hellos, Goodbyes (2023), is a work transformed from a cloth hanger stand. By removing all the original hanging hooks, Chun subtly attached an archery onto the wall that next to the cloth hanger stand, as if it was shooting by someone from somewhere, vaguely hinting towards something reminiscent of the archery target, revealing a wounded and destroyed relationship.


In You've Been In My Mind, Chun continues his exploration of the relationship between domestic elements and human nature, combined with both personal and collective emotions. Specific furniture becomes the medium that allows the artist to construct the complicated feelings of daily experiences, where each object opens a dialogue, which can be both decadent and hopeful at the same time, around the notion of home.



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(Wooden cloth hanger stand, archery, colour pencil on tape and paper, lamp)





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(Colour pencil on paper, chairs, televison, lamps, found object)



Additional text

“... You’ve been in my mind, you’ve been in my mind, I’m trying to remember someone that I have been very close with from the past, someone that I thought I could house with, being with them is just like feeling home. I was bearing my soul, seeking hidden signs of hope and meaning, but the process was holding me back, somehow it made me feel fear. 


Looking at the cloth hanger stand, I always think of someone who has been putting their clothes on it before, but now it seems like they won’t be here anymore. I realised I am not that strong, at some point I felt so vulnerable when people came and went, and it became a usual thing in my life. Somehow it’s just hurting me so much, like an arrow through my heart. 


It’s been a very long time I haven’t use colour pencils for drawing. It reminds me of my childhood. I draw so hard on the paper and I even start to scratch it, but it turns out the colour was still not really clear on the surface. Some certain parts of the objects I no longer remember the details of. It’s telling me I've started forgetting something, bits by pieces, no matter how hard I try to remember.”

︎




	
		
		
	
	
		
			
				
					
						


					
				
			
		
	
Photos: Artist</description>
		
	</item>
		
		
	<item>
		<title>2022</title>
				
		<link>https://chunauyeung.com/2022</link>

		<pubDate>Sun, 19 Mar 2023 20:36:57 +0000</pubDate>

		<dc:creator>chunauyeung</dc:creator>

		<guid isPermaLink="true">https://chunauyeung.com/2022</guid>

		<description>

	

I came here to be alone – I also came
here to be alone

Tallinn Art Hall, Estonia



	The group exhibition I came here to be alone – I also came
here to be alone draws inspiration from a 1959 film
Baltic Express by Jerzy Kawalerowicz, which
revolves around the communication between two
strangers, forced to co-exist in confined conditions –
the claustrophobic world of a tight train cabin. The
train journey is a catalyst which tests what kind of
chemistry can be created in unstable and uncertain
conditions. From the perspective of a passenger,
everything in the world is in motion, while from the
perspective of someone not on the train it is quite
the opposite. Baltic Express reflects on these two
phenomena and focuses on a pivotal moment in
time. Every story we tell or read about home or
about our recent history, now has a different
landscape looking out of the window of this train.
The world as we know it is no longer the same, and
our imaginative space has transformed.︎


&#60;img width="2855" height="1904" width_o="2855" height_o="1904" data-src="https://freight.cargo.site/t/original/i/9bc6a4746cb0f1fc88f6c16d6e3088d10ea466e4c96babce224ae23f1d6736d7/Portfolio---CV-2023.jpg" data-mid="172299071" border="0"  src="https://freight.cargo.site/w/1000/i/9bc6a4746cb0f1fc88f6c16d6e3088d10ea466e4c96babce224ae23f1d6736d7/Portfolio---CV-2023.jpg" /&#62;
&#60;img width="2860" height="1904" width_o="2860" height_o="1904" data-src="https://freight.cargo.site/t/original/i/30c69a19d0a06946356afc34efb22380a4dcaf6f13edba8c39f84030db6d9ad2/Portfolio---CV-2023-copy.jpg" data-mid="172295397" border="0"  src="https://freight.cargo.site/w/1000/i/30c69a19d0a06946356afc34efb22380a4dcaf6f13edba8c39f84030db6d9ad2/Portfolio---CV-2023-copy.jpg" /&#62;


We can be alone together
(Table, sands, glass, stones and found objects, dimension variable)

&#60;img width="2878" height="1922" width_o="2878" height_o="1922" data-src="https://freight.cargo.site/t/original/i/af132a0923b75d73c31918219548a3e3f0541fa5d572cacbe33fb01be2587d82/Portfolio---CV-2023-copy2.jpg" data-mid="172299267" border="0"  src="https://freight.cargo.site/w/1000/i/af132a0923b75d73c31918219548a3e3f0541fa5d572cacbe33fb01be2587d82/Portfolio---CV-2023-copy2.jpg" /&#62;
&#60;img width="2880" height="1924" width_o="2880" height_o="1924" data-src="https://freight.cargo.site/t/original/i/cb1bb43769ecc5d83dcd6aead4eb0e9a5a89df1346f86e6b1db753c7e1d27ba3/Portfolio---CV-2023-copy.jpg" data-mid="172299265" border="0"  src="https://freight.cargo.site/w/1000/i/cb1bb43769ecc5d83dcd6aead4eb0e9a5a89df1346f86e6b1db753c7e1d27ba3/Portfolio---CV-2023-copy.jpg" /&#62;

Hope you are doing well

&#60;img width="2860" height="1904" width_o="2860" height_o="1904" data-src="https://freight.cargo.site/t/original/i/30c69a19d0a06946356afc34efb22380a4dcaf6f13edba8c39f84030db6d9ad2/Portfolio---CV-2023-copy.jpg" data-mid="172295397" border="0"  src="https://freight.cargo.site/w/1000/i/30c69a19d0a06946356afc34efb22380a4dcaf6f13edba8c39f84030db6d9ad2/Portfolio---CV-2023-copy.jpg" /&#62;
(Hard folders, cutting mat, caculator, table lamp, computer and found objects, dimension variable)



	
		
		
	
	
		
			
				
					
						


					
				
			
		
	
Photos: Paul Kuimet



My Heart Aches When It’s Time To Leave

TASE Graduation Show (MA)
Estonia Academy of Arts

Master Thesis Question: What is home? &#38;nbsp;

This project began with a longing for a home after I left Hong Kong due to the unhealthy political environment. Emotional security, a significant feeling that has lingered in my mind, became the core element in defining a home for myself. The installation draws inspiration from the philosophy of Tai Chi and is divided into Yin and Yang, presented across three different exhibition spaces. Through the dynamic interplay between my internal feelings and external living environment, the work seeks to reveal the characteristics of human nature and emotions associated with the concept of home.
︎
&#60;img width="1304" height="1013" width_o="1304" height_o="1013" data-src="https://freight.cargo.site/t/original/i/f5506509d1813ac25186ecfdb980254e1406312abd7df8efd52064f49260a28b/tai-chi-2-1304x1013.png" data-mid="172360293" border="0"  src="https://freight.cargo.site/w/1000/i/f5506509d1813ac25186ecfdb980254e1406312abd7df8efd52064f49260a28b/tai-chi-2-1304x1013.png" /&#62;
 

Part 1

&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/97e1bcb6c48ecba2469dbb23e69f2bc3596652c01aa738257014ffd4ad6af52b/My-heart-aches-when-it-s-time-to-leave.JPG" data-mid="172359285" border="0"  src="https://freight.cargo.site/w/1000/i/97e1bcb6c48ecba2469dbb23e69f2bc3596652c01aa738257014ffd4ad6af52b/My-heart-aches-when-it-s-time-to-leave.JPG" /&#62;
My Heart Aches When It’s Time To Leave(CRT monitor, analogue video (50’29” loop), handmade wooden frame, wood dusts, tape, carpet, lamps, wood, found objects)
&#60;img width="5000" height="3333" width_o="5000" height_o="3333" data-src="https://freight.cargo.site/t/original/i/45ada00615e7abfff44b88e3a6b0fe5d37a1b24e2f0cbc6397cad92afc9d14fd/Yeung-5-photo_Noah_Morrison.jpg" data-mid="172360927" border="0"  src="https://freight.cargo.site/w/1000/i/45ada00615e7abfff44b88e3a6b0fe5d37a1b24e2f0cbc6397cad92afc9d14fd/Yeung-5-photo_Noah_Morrison.jpg" /&#62;
&#60;img width="5000" height="3333" width_o="5000" height_o="3333" data-src="https://freight.cargo.site/t/original/i/9f3eea604ddc5117eaf976175c114268aa68ee4ef5579cd2c6efffb60ab1d9f8/Yeung-1-photo_Noah_Morrison.jpg" data-mid="172360893" border="0"  src="https://freight.cargo.site/w/1000/i/9f3eea604ddc5117eaf976175c114268aa68ee4ef5579cd2c6efffb60ab1d9f8/Yeung-1-photo_Noah_Morrison.jpg" /&#62;
&#60;img width="5000" height="3333" width_o="5000" height_o="3333" data-src="https://freight.cargo.site/t/original/i/3466292fde5c8447ef752e08282140c38234cafbcf68e7972ddd068509df7bee/Yeung-2-photo_Noah_Morrison.jpg" data-mid="172361016" border="0"  src="https://freight.cargo.site/w/1000/i/3466292fde5c8447ef752e08282140c38234cafbcf68e7972ddd068509df7bee/Yeung-2-photo_Noah_Morrison.jpg" /&#62;
&#60;img width="5000" height="3333" width_o="5000" height_o="3333" data-src="https://freight.cargo.site/t/original/i/7b86fcd3baa9b39a14eb04dbf8b43e509f12956a87147c93c46956c579644f7c/Yeung-10-photo_Noah_Morrison.jpg" data-mid="172360940" border="0"  src="https://freight.cargo.site/w/1000/i/7b86fcd3baa9b39a14eb04dbf8b43e509f12956a87147c93c46956c579644f7c/Yeung-10-photo_Noah_Morrison.jpg" /&#62;



Part 2
&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/144f5e016413408b11bb73b60661c4853ebd2b56426e27929b8dd9c7f7b97611/You-are-no-longer-the-same.jpg" data-mid="172359287" border="0"  src="https://freight.cargo.site/w/1000/i/144f5e016413408b11bb73b60661c4853ebd2b56426e27929b8dd9c7f7b97611/You-are-no-longer-the-same.jpg" /&#62;You Are No Longer The Same(Furniture, wood disassembled from the furniture, handmade wooden frame, Hong Kong map, found objects)

&#60;img width="5000" height="3333" width_o="5000" height_o="3333" data-src="https://freight.cargo.site/t/original/i/e4ad4279cff1bd1f36fdb251b5bd6a5449d80611ade7a2106ef95ab38beaafb6/Yeung-37-photo_Noah_Morrison.jpg" data-mid="172361234" border="0"  src="https://freight.cargo.site/w/1000/i/e4ad4279cff1bd1f36fdb251b5bd6a5449d80611ade7a2106ef95ab38beaafb6/Yeung-37-photo_Noah_Morrison.jpg" /&#62;
&#60;img width="1111" height="788" width_o="1111" height_o="788" data-src="https://freight.cargo.site/t/original/i/4c33b3e8b3bfae2a6668119e29feb7eb17642ca0bcc3d14f11eeed0698b4b35c/You-are-no-longer-the-same-1111x788.jpeg" data-mid="172361226" border="0"  src="https://freight.cargo.site/w/1000/i/4c33b3e8b3bfae2a6668119e29feb7eb17642ca0bcc3d14f11eeed0698b4b35c/You-are-no-longer-the-same-1111x788.jpeg" /&#62;
&#60;img width="5000" height="3333" width_o="5000" height_o="3333" data-src="https://freight.cargo.site/t/original/i/a06423de8c4dd2194d7671b34989d771fc514e3b3af843c507c10f4b2c3e4879/Yeung-40-photo_Noah_Morrison.jpg" data-mid="172361235" border="0"  src="https://freight.cargo.site/w/1000/i/a06423de8c4dd2194d7671b34989d771fc514e3b3af843c507c10f4b2c3e4879/Yeung-40-photo_Noah_Morrison.jpg" /&#62;
&#60;img width="5000" height="3333" width_o="5000" height_o="3333" data-src="https://freight.cargo.site/t/original/i/31a463c6be6152f65c1a9a61082e017a75a700ea834d1abd0145a961d9d8dbe9/Yeung-68-photo_Noah_Morrison.jpg" data-mid="172361240" border="0"  src="https://freight.cargo.site/w/1000/i/31a463c6be6152f65c1a9a61082e017a75a700ea834d1abd0145a961d9d8dbe9/Yeung-68-photo_Noah_Morrison.jpg" /&#62;
&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/e90fdb4ab33fb26aff6aa1a2170f65c38d2f943ecd506da9831caa92b06e11ab/IMG_0141.jpg" data-mid="172426927" border="0"  src="https://freight.cargo.site/w/1000/i/e90fdb4ab33fb26aff6aa1a2170f65c38d2f943ecd506da9831caa92b06e11ab/IMG_0141.jpg" /&#62;
&#60;img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/44ee3cbbf316b93f53d457ca64905faf1d4f363fd65d2392b22cfe33af68b1f3/IMG_0012.jpg" data-mid="172362071" border="0"  src="https://freight.cargo.site/w/1000/i/44ee3cbbf316b93f53d457ca64905faf1d4f363fd65d2392b22cfe33af68b1f3/IMG_0012.jpg" /&#62;
&#60;img width="3333" height="5000" width_o="3333" height_o="5000" data-src="https://freight.cargo.site/t/original/i/47fecb878cec057843cfe791ff48d087398cc6115ded5093031f17f800ad8f8e/Yeung-62-photo_Noah_Morrison.jpg" data-mid="172361237" border="0"  src="https://freight.cargo.site/w/1000/i/47fecb878cec057843cfe791ff48d087398cc6115ded5093031f17f800ad8f8e/Yeung-62-photo_Noah_Morrison.jpg" /&#62;
&#60;img width="5000" height="3333" width_o="5000" height_o="3333" data-src="https://freight.cargo.site/t/original/i/61cdb6018be6ab8fd909dd81083ecd3aabada67d9a0e6e576d5defaaf07e7d9d/Yeung-72-photo_Noah_Morrison.jpg" data-mid="172361245" border="0"  src="https://freight.cargo.site/w/1000/i/61cdb6018be6ab8fd909dd81083ecd3aabada67d9a0e6e576d5defaaf07e7d9d/Yeung-72-photo_Noah_Morrison.jpg" /&#62;
&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/bf10cc3c3cf10d32e305b03f85a173db80ae52f2b08617f6ef38f34a0ede45e6/IMG_0174.jpg" data-mid="172426929" border="0"  src="https://freight.cargo.site/w/1000/i/bf10cc3c3cf10d32e305b03f85a173db80ae52f2b08617f6ef38f34a0ede45e6/IMG_0174.jpg" /&#62;
&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/325b597443c4e518c6044a72b3962624eeb6af215345a364a5c6f4a2fea0ec42/IMG_0131.jpg" data-mid="172426926" border="0"  src="https://freight.cargo.site/w/1000/i/325b597443c4e518c6044a72b3962624eeb6af215345a364a5c6f4a2fea0ec42/IMG_0131.jpg" /&#62;
&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/5f3cad22ebf4451260f00fd8961c768c269da9b190d36b050cf83273b3bdf24d/IMG_0156.jpg" data-mid="172426928" border="0"  src="https://freight.cargo.site/w/1000/i/5f3cad22ebf4451260f00fd8961c768c269da9b190d36b050cf83273b3bdf24d/IMG_0156.jpg" /&#62;

Part 3


&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/b631a916f92d6a544f406828c7255682d19c2e994da8ca1faf436f3ec6f0d03a/Until-time-doesn-t-allow-me-to-be-who-I-am.jpg" data-mid="172359286" border="0"  src="https://freight.cargo.site/w/1000/i/b631a916f92d6a544f406828c7255682d19c2e994da8ca1faf436f3ec6f0d03a/Until-time-doesn-t-allow-me-to-be-who-I-am.jpg" /&#62;
Until Time Doesn’t Allow Me To Be Who I Am
(CRT monitor, analogue video (10′ loop), drawing on paper, glass jars, ashes, furniture, tape, curtain, lamps, chairs, fabric from the chairs, handmade wooden frame, found objects)

&#60;img width="5000" height="3333" width_o="5000" height_o="3333" data-src="https://freight.cargo.site/t/original/i/7356e4a427bc293cf206923f001fcf057cf7b5047e2e124f8cadf0c724d1e906/Yeung-18-photo_Noah_Morrison.jpg" data-mid="172361466" border="0"  src="https://freight.cargo.site/w/1000/i/7356e4a427bc293cf206923f001fcf057cf7b5047e2e124f8cadf0c724d1e906/Yeung-18-photo_Noah_Morrison.jpg" /&#62;
&#60;img width="5000" height="3333" width_o="5000" height_o="3333" data-src="https://freight.cargo.site/t/original/i/90c9843dfdae599b97fd300799e3a884cedf6369facda7d5f632468133c1b7c3/Yeung-15-photo_Noah_Morrison.jpg" data-mid="172361391" border="0"  src="https://freight.cargo.site/w/1000/i/90c9843dfdae599b97fd300799e3a884cedf6369facda7d5f632468133c1b7c3/Yeung-15-photo_Noah_Morrison.jpg" /&#62;
&#60;img width="5000" height="3333" width_o="5000" height_o="3333" data-src="https://freight.cargo.site/t/original/i/240896f9b83f911da6f7a9472f51d82d1e59562ac062360d78899dd6790a9e2c/Yeung-28B-photo_Noah_Morrison.jpg" data-mid="172361483" border="0"  src="https://freight.cargo.site/w/1000/i/240896f9b83f911da6f7a9472f51d82d1e59562ac062360d78899dd6790a9e2c/Yeung-28B-photo_Noah_Morrison.jpg" /&#62;
&#60;img width="5000" height="3333" width_o="5000" height_o="3333" data-src="https://freight.cargo.site/t/original/i/0552991af4dc67cb904d2a8b4ca246ed453bd27f7c7598672038186d321a614d/Yeung-54-photo_Noah_Morrison.jpg" data-mid="172361683" border="0"  src="https://freight.cargo.site/w/1000/i/0552991af4dc67cb904d2a8b4ca246ed453bd27f7c7598672038186d321a614d/Yeung-54-photo_Noah_Morrison.jpg" /&#62;

Photos: Artist
Our Memories Just Won’t Die, It’s The Trip That Keep Us Alive

ARS&#38;nbsp;Kunstilinnak, EstoniaThe title of the work, Our Memories Just Won’t Die, It’s the Trip That Keeps Us Alive, reflects my feelings about memories with the people I loved in the past. By disassembling the physical structure of the chairs and reassembling their parts into a frame, I show the process of transforming an external object into an internal feeling—a physical and tangible household object turned into intangible emotion and memory.


I removed one leg from each chair and created a frame to hold the fabric I had taken from them. I then detached the floral and leaf patterns from the fabric, following the colorful threads one by one, color by color. As I removed the pattern, the fabric’s surface was no longer complete, creating a sense that something was absent or missing. In the end, the image faded. I transformed the small threads into cotton yarn balls, which I placed next to the chairs.

						


&#60;img width="6720" height="4480" width_o="6720" height_o="4480" data-src="https://freight.cargo.site/t/original/i/a7ab058e468079e8cf9157440541831c0eea8b71f038673c309b43aa585e9fbe/Our-memories-just-won-t-die--it-s-the-trip-that-keeps-us-alive.jpg" data-mid="172366655" border="0"  src="https://freight.cargo.site/w/1000/i/a7ab058e468079e8cf9157440541831c0eea8b71f038673c309b43aa585e9fbe/Our-memories-just-won-t-die--it-s-the-trip-that-keeps-us-alive.jpg" /&#62;
Our Memories Just Won’t Die, It’s The Trip That Keeps Us Alive
(Chairs, lamps&#38;nbsp; and fabric from the chairs)

					
				
			
		
	


	
		
		
	
	
		
			
				
					
						
&#60;img width="3200" height="4480" width_o="3200" height_o="4480" data-src="https://freight.cargo.site/t/original/i/f31f5cee73ff9bd277064d049e090f9cb28a9dad9b292e91557e12dea8f7f088/_N9A5367p.jpg" data-mid="172430171" border="0"  src="https://freight.cargo.site/w/1000/i/f31f5cee73ff9bd277064d049e090f9cb28a9dad9b292e91557e12dea8f7f088/_N9A5367p.jpg" /&#62;
&#60;img width="4480" height="6272" width_o="4480" height_o="6272" data-src="https://freight.cargo.site/t/original/i/e8490676e7f2e0dc1508f96ad84e862b479f178f2687f791cc0ceb81f1349000/_N9A5379p.jpg" data-mid="172430176" border="0"  src="https://freight.cargo.site/w/1000/i/e8490676e7f2e0dc1508f96ad84e862b479f178f2687f791cc0ceb81f1349000/_N9A5379p.jpg" /&#62;
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&#60;img width="4480" height="6272" width_o="4480" height_o="6272" data-src="https://freight.cargo.site/t/original/i/d389ffbe3cbbc128aed6518309234f08927de092c96208b5ba03c90bba8b0794/_N9A5380p.jpg" data-mid="172430177" border="0"  src="https://freight.cargo.site/w/1000/i/d389ffbe3cbbc128aed6518309234f08927de092c96208b5ba03c90bba8b0794/_N9A5380p.jpg" /&#62;
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&#60;img width="4480" height="6272" width_o="4480" height_o="6272" data-src="https://freight.cargo.site/t/original/i/eb8825a7ef93ae8b8ab67a062199a581724bcb4a0e56983342502df3e00b6b66/_N9A5384p.jpg" data-mid="172430180" border="0"  src="https://freight.cargo.site/w/1000/i/eb8825a7ef93ae8b8ab67a062199a581724bcb4a0e56983342502df3e00b6b66/_N9A5384p.jpg" /&#62;


					
				
			
		
	

Photos: Artist
</description>
		
	</item>
		
		
	<item>
		<title>2021</title>
				
		<link>https://chunauyeung.com/2021-1</link>

		<pubDate>Sun, 19 Mar 2023 23:29:49 +0000</pubDate>

		<dc:creator>chunauyeung</dc:creator>

		<guid isPermaLink="true">https://chunauyeung.com/2021-1</guid>

		<description>

	Don’t Think That I Am Pushing You Away

Vent Space, Estonia

	












The title of my solo exhibition, Don’t Think That I Am Pushing You Away, reflects my emotional experience based on the evolving relationship between my roommate and me during the 14 days of quarantine in a student dormitory. The exhibition primarily features a video installation that I created during my isolation in my bedroom. The videos capture my personal emotional struggles, such as sadness, emptiness, and distance, while also offering me a new perspective on self-awareness.






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&#60;img width="3360" height="2240" width_o="3360" height_o="2240" data-src="https://freight.cargo.site/t/original/i/1fb9a1875bf7c0abe9ad632b5936d79e95ecf5d2bfd6bf90e535384db88d674e/181A3937.jpg" data-mid="172310313" border="0"  src="https://freight.cargo.site/w/1000/i/1fb9a1875bf7c0abe9ad632b5936d79e95ecf5d2bfd6bf90e535384db88d674e/181A3937.jpg" /&#62;
&#60;img width="3360" height="2240" width_o="3360" height_o="2240" data-src="https://freight.cargo.site/t/original/i/17498deb32453ffcb4a4e2354c969fa6385cdfc66e4e1aabec22343f1af6c782/181A3926.jpg" data-mid="172310306" border="0"  src="https://freight.cargo.site/w/1000/i/17498deb32453ffcb4a4e2354c969fa6385cdfc66e4e1aabec22343f1af6c782/181A3926.jpg" /&#62;
&#60;img width="3360" height="2240" width_o="3360" height_o="2240" data-src="https://freight.cargo.site/t/original/i/25ed993e846202e16ce4641ec835412ecb84888803af71c20092d7991da64497/181A4110.JPG" data-mid="172310996" border="0"  src="https://freight.cargo.site/w/1000/i/25ed993e846202e16ce4641ec835412ecb84888803af71c20092d7991da64497/181A4110.JPG" /&#62;
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&#60;img width="3360" height="2240" width_o="3360" height_o="2240" data-src="https://freight.cargo.site/t/original/i/cf834e0548d4f91c843292b688fc4aa56eeb892f2fbc58f7bf273f7d6fa00451/181A3930.JPG" data-mid="172433715" border="0"  src="https://freight.cargo.site/w/1000/i/cf834e0548d4f91c843292b688fc4aa56eeb892f2fbc58f7bf273f7d6fa00451/181A3930.JPG" /&#62;
 

Don’t Think That I Am Pushing You Away
(Video installation, drawings, objects, wood, lamps and found objects)

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&#60;img width="2240" height="3136" width_o="2240" height_o="3136" data-src="https://freight.cargo.site/t/original/i/3f87cea31b52c67859ef92875ad0af594ceac540bbb573753304f9c1bb99b77d/181A3973.jpg" data-mid="172310282" border="0"  src="https://freight.cargo.site/w/1000/i/3f87cea31b52c67859ef92875ad0af594ceac540bbb573753304f9c1bb99b77d/181A3973.jpg" /&#62;
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&#60;img width="1406" height="1917" width_o="1406" height_o="1917" data-src="https://freight.cargo.site/t/original/i/a30ea227cdad24c49bb0e9d6a0d0ebf639aa9c9ad137ca500e6d847d46453b99/181A3914.JPG" data-mid="172433713" border="0"  src="https://freight.cargo.site/w/1000/i/a30ea227cdad24c49bb0e9d6a0d0ebf639aa9c9ad137ca500e6d847d46453b99/181A3914.JPG" /&#62;
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&#60;img width="2240" height="3360" width_o="2240" height_o="3360" data-src="https://freight.cargo.site/t/original/i/d78295e50f2d0f8b56790c30b67b97e81e2df9492500fc00e87c1120e9df7665/181A3918.JPG" data-mid="172433714" border="0"  src="https://freight.cargo.site/w/1000/i/d78295e50f2d0f8b56790c30b67b97e81e2df9492500fc00e87c1120e9df7665/181A3918.JPG" /&#62;





	
	

	
	



	
		
		
	
	
		
			
				
					
						


					
				
			
		
	


Photos: Artist 

Wet Hearts Of Everyday Thoughts

Gallery Mihhail, Estonia

 
	The starting point of the group exhibition Wet Hearts of Everyday Thoughts is, on the one hand, environmentally conscious gratitude for bodies of water as diverse habitats. On the other hand, the initial impulse of the exhibition is the posthumanist understanding of humans as aqueous beings whose life is dependent on water from birth to death. The exhibition brings together five artists whose works are linked by a common image—all of the works use a certain body of water or other liquid, in order to refer to personal thoughts and feelings related to various aspects of self-care, such as coping with emotional difficulties, pleasures, everyday rituals, and the embodied experience. The works on display talk about the relationship with oneself, one’s collective and the environment, and point out ways to make sense of one’s relationship with other living beings and bodies of water.︎




&#60;img width="2000" height="3000" width_o="2000" height_o="3000" data-src="https://freight.cargo.site/t/original/i/88f6cbf244408e09a0738ab8404c6d2b3d842cf8bc1ebc58fc5655d1cfb16810/vaated-25.jpg" data-mid="172435975" border="0"  src="https://freight.cargo.site/w/1000/i/88f6cbf244408e09a0738ab8404c6d2b3d842cf8bc1ebc58fc5655d1cfb16810/vaated-25.jpg" /&#62;The Place I Belong To Doesn’t Exist(Acrylic, oil and charcoal on cardboard
and paper, handmade soap, graphite, dirt, tape and sound) 
Dimension: 200 cm x 130 cm x 6 cm

					
				
			
		
	


&#60;img width="3000" height="2000" width_o="3000" height_o="2000" data-src="https://freight.cargo.site/t/original/i/ec26e7cd7a45c7139e51356fd1d765c8c9bfdc0db81d6f947710aaf6d271ae14/vaated-8.jpg" data-mid="172435971" border="0"  src="https://freight.cargo.site/w/1000/i/ec26e7cd7a45c7139e51356fd1d765c8c9bfdc0db81d6f947710aaf6d271ae14/vaated-8.jpg" /&#62;
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Photos: Joosep Kivimäe</description>
		
	</item>
		
		
	<item>
		<title>2019</title>
				
		<link>https://chunauyeung.com/2019</link>

		<pubDate>Mon, 20 Mar 2023 21:31:04 +0000</pubDate>

		<dc:creator>chunauyeung</dc:creator>

		<guid isPermaLink="true">https://chunauyeung.com/2019</guid>

		<description>
Things I Wanted To Say But Never Did

Hong Kong
The work Things I Wanted to Say but Never Did&#38;nbsp;explores the materiality and formation process of mother-of-pearl as a metaphor for the absent and unspoken experience of maternal love in my childhood. 

Pearls are formed when a foreign object becomes trapped inside an oyster. In order to protect its vulnerable body, the oyster gradually secretes thousands of thin layers of nacre around the irritant, slowly enclosing the source of pain. Over time, what once caused discomfort is transformed into something luminous and precious. 

I am drawn to this transformation of injury into beauty. By shaping mother-of-pearl into the form of a bandage, the work reflects on the emotional voids and unease embedded in childhood memory, while also suggesting a slow and intimate process of healing. The layered surface becomes a metaphor for a kind of love that was never directly spoken — quiet, fragile, yet still attempting to protect and care for others.




&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/832b39952197a9cf30880c677c3ccd7c581858a38dd9ef40827e72b19b89b3e1/IMG_5097.jpg" data-mid="172441308" border="0"  src="https://freight.cargo.site/w/1000/i/832b39952197a9cf30880c677c3ccd7c581858a38dd9ef40827e72b19b89b3e1/IMG_5097.jpg" /&#62;
&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/06402fc63a67d7134687c24947c5d88dc5af206389a22b1add9b66e577447a69/IMG_5104.jpg" data-mid="172441254" border="0"  src="https://freight.cargo.site/w/1000/i/06402fc63a67d7134687c24947c5d88dc5af206389a22b1add9b66e577447a69/IMG_5104.jpg" /&#62;
Things I Wanted To Say But Never Did(Mother of pearl)
</description>
		
	</item>
		
		
	<item>
		<title>about</title>
				
		<link>https://chunauyeung.com/about</link>

		<pubDate>Sun, 05 Jul 2020 15:15:11 +0000</pubDate>

		<dc:creator>chunauyeung</dc:creator>

		<guid isPermaLink="true">https://chunauyeung.com/about</guid>

		<description>
	

	

What’s on my mind?.......
 ...how do we exist when certainty disappears? Through sculpture, installation, drawing, and found objects, I explore states of being that are continuously constructed through our relationship with materials, space, the body, and time.&#38;nbsp;

About













JUNNY CHUN AU-YEUNG (b. 1991) is a Hong Kong-born artist currently based in Coventry, the United Kingdom. He graduated from Estonian Academy of Arts with a&#38;nbsp;Master’s degree in Contemporary Arts in 2022. Working across sculpture, installation, photography, drawing, and moving image, his practice explores the relationship between belonging, temporality, and states of existence. Through everyday objects, bodily gestures, and spatial interventions, he investigates how individuals locate themselves within the uncertainty.



His earlier works emerged from experiences of migration and questions surrounding the notion of home. Using fragmented furniture, symbols, and dysfunctional objects, he examined how people navigate unfamiliar environments and search for orientation. In recent years, his focus has gradually shifted from geographical belonging to temporal belonging, exploring things that feel familiar yet remain unreachable—including places, memories, imagined futures, and former versions of the self.



His works often inhabit states of suspension, repetition, and incompletion. Through fragmented objects, dysfunctional structures, and everyday materials situated between utility and obsolescence, he seeks to materialise psychological experiences that are difficult to articulate, reflecting on how one understands oneself and one’s relationship to the surrounding world in the absence of clear direction.



For Junny, making art is an ongoing process of dialogue with himself. Recurring traces, doubles, and unfinished gestures appear throughout his work as both temporal counterparts and companions generated through prolonged encounters with solitude.




Rather than seeking answers, his practice dwells within a transitional space constructed by consciousness itself. Situated between familiarity and estrangement, movement and stagnation, past and future, his work continues to explore how one might coexist with oneself in a condition where return is impossible and arrival remains out of reach.



Education
2020-2022
Master of Contemporary Art, Estonian Academy of Arts
2013-2015
Bachelor of Arts (Hons) in Visual Arts, Hong Kong Baptist University


Solo Exhibition

2026
Here is Enough, Copper Leg Art Residency, Vaskjala, Estonia

2025

An Ongoing Rehearsal within a Labyrinth, Copper Leg Art Residency, Vaskjala, Estonia
2023
You’ve Been in My Mind, Hobusepea Gallery, Tallinn, Estonia
2021
All That I Want Is To Be Yours, Raja Gallery, Tallinn, Estonia
Don’t Think That I Am Pushing You Away, Vent Space, Tallinn, Estonia2018
2543, Jockey Club Creative Arts Centre, Hong Kong



Group Exhibition
2022
I Came Here To Be Alone, I Also Came Here To Be Alone, Tallinn Art Hall,&#38;nbsp; Tallinn, Estonia

TASE Graduation Show (MA), Tallinn, Estonia

Young Sculptor Award Competition, ARS Kunstilinnak, Tallinn, Estonia

2021
Wet Hearts Of Everyday Thoughts, Tallinn, Estonia
Second Act, Viljandi, Estonia
2020
From Rubbles To Wonders, Grotto Fine Arts, Hong Kong
2019&#38;nbsp;

Fine Art Asia/ Ink Asia, Hong Kong Convention and Exhibition Centre&#38;nbsp;
Pearl And Beyond, Koo Ming Kown Exhibition Gallery, Hong Kong
2016
First Smash 3, Art Experience Foundation
Residency
2026Copper Leg Art Residency, Estonia

2025Copper Leg Art Residency, Estonia

2022
Maajaam, Estonia

Award
2022
TASE Graduation Show (MA) Young Artist Award, awarded by Estonian Academy of Arts
Contemporary Sculpture Award, awarded by International Sculpture Center
Young Sculptor Award,&#38;nbsp;awarded by Estonian Academy of Arts
	

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